Jacket 40 — July 2010
— Contents page Scalapino — Notley — Berengarten — The Netherlands — Lauterbach — Glenum — &c… A free internet literary magazine — Interviews — Reviews — Articles — Poems
So far, this issue adds up to about
1,355 printed pages
We are sad to report that after a brief illness Leslie Scalapino died on 28 May 2010. Her most recent books of poetry are: ‘It’s go in horizontal/Selected Poems 1974-2006’, published by UC Press, Berkeley; and ‘Day Ocean State of Stars’ Night’, published by Green Integer in Los Angeles. Her novel, titled ‘Floats Horse-Floats or Horse-Flows’, was published by [»»] Starcherone; and a collaboration of her poetry with Kiki Smith’s drawings, titled ‘The Animal is in the World like Water in Water’, was published by [»»] Granary Books. Her book of two plays, Flow--Winged Crocodile, and A Pair / Actions Are Erased / Appear, is published by [»»] Chax Press. |
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Articles 360 printed pages
Leslie Scalapino
[»»] Leslie Scalapino: Disbelief [»»] Leslie Scalapino: Out the Window: It’s go in horizontal: Selected Poems 1974-2006; Leslie Scalapino, Day Ocean State of Stars’ Night: Poems & Writings 1989 & 1999-2006, reviewed by Michael Cross [»»] Francisco Aragón: Contextualizing Gerardo Diego’s «Handbook of Foams» — with a selection of ten translated poems
[»»] On Ted Berrigan: Timothy Henry: “Time And Time Again”: The Strategy of Simultaneity in Ted Berrigan’s «The Sonnets» [»»] Louis Cabri: Six Takes on Poetic Influence, Ken Bolton, and the New York School
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On Jim Carroll: Aram Saroyan: [»»] Marcia Casey: The Human: A Poetics of Matter [»»] «Vauxhall», by Catherine Daly: In Search of the Esthetic: A Review by Crisman Cooley [»»] Abel Debritto: Big Time: Charles Bukowski in «Evergreen Review» [»»] Kathleen Fraser and JoAnn Ugolini: Second Language: Constructions in Collaboration, by Kathleen Fraser (text) and JoAnn Ugolini (images). This selection of texts / images from S E C O N D LANGUAGE previews a number of spreads from the larger codex-bound, hand-pasted book. [»»] Lara Glenum: Welcome to the Gurlesque: The New Grrly, Grotesque, Burlesque Poetics [»»] Ariel Goldberg: The Caption Poet and Inquiries into Resizable Monuments [»»] Jason Harmon: Looking from A to A: «Altazor» and «The Alphabet»
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Paul Jaussen: Beverly Dahlen and the Writing of the Real [»»] Martha King: Three Months in 1955: A Memoir of Black Mountain College [»»] On Bernadette Mayer: Megan Burns: Bernadette Mayer’s «Midwinter Day»: Dream of the («Extra»)Ordinary [»»] Peter Middleton: The Longing of the Long Poem [»»] Zenny Sadlon’s Response to Michelle Woods’ review of «The Good Soldier Švejk (Book One)» [»»] Gustaf Sobin: «Collected Poems»: Introduction by Andrew Joron and Andrew Zawacki
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Michael Theune: [»»] Rodrigo Toscano and Natalie Knight: from Conditions of Poetic Production and Reception [»»] Andy Weaver: Divining the Derivers: Anarchy and the Practice of Derivative Poetics in Robert Duncan and John Cage [»»] David Wolach: The Ideal Glass: On Laura Elrick’s «Stalk» and the Poetics of Spatial Practice Interviews: 177 printed pages
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Beverly Dahlen in conversation with Paul Jaussen and Emily Beall
[»»] Martin Duwell in conversation with Jeffrey Poacher, 2010 [»»] Michael Gizzi and Craig Watson in conversation with Stan Mir — 9 June 2006 [»»] Paul Hoover on «Sonnet 56» (Les Figues Press, 2009): In Conversation With Jane Joritz-Nakagawa [»»] Burt Kimmelman in conversation with Thomas Fink, 2010 [»»] Dialog on Love: Ben Lerner and Aaron Kunin in conversation
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Harryette Mullen: [»»] Alice Notley, in conversation with Yasmine Shamma, in Paris: March 18, 2009 [»»] Dara Wier in conversation with Cynthia Arrieu-King Feature: Richard Berengarten curated by Catherine E. Byfield 134 printed pages Together with Norman Jope and Paul Scott Derrick, Catherine E. Byfield is co-editor of the [»»] Salt Companion to Richard Berengarten, due from Salt Publishing, Cambridge UK, late 2010. [»»] Richard Berengarten: extracts from “Two to the Power of Six” [»»] Richard Berengarten: The dialectics of oxygen [»»] Paul Scott Derrick: A Poet for a Time of Need [»»] Simon Jenner: Janus Masks: on the Many Facets of Richard Berengarten’s Work [»»] philip kuhn: ‘Tis Death is dead, not he’ or: Reading Richard Reading Richard Reading [»»] Neli Moody: A Syntax of Stones: Pre-Text, Edifice, and the Sacred Space in Richard Berengarten’s ‘Avebury’ [»»] Paschalis Nikolaou: In Light of Hellas: experiences of Greekness, versions of memory and roles for translation in Richard Berengarten’s poetry [»»] Mark Pirie: A Reading of «book with no back cover» [»»] Chee-Lay Tan: Cross-cultural Numerology and Translingual Poetics: Chinese Influences on the Poetry of Richard Berengarten
Feature: The Low Countries 22 printed pages
[»»] Mark Boog: Four poems, translated by Willen Groenewegen: Happiness / Love / Small House / Water, Aspirin, You [»»] Hester Knibbe: Three poems, translated by John Irons: The House at the Lock / Search Expedition / Antideath [»»] Tonnus Oosterhoff: Two Poems, translated by Karlien Van Den Beukel: Ik ben de dwerg / Ik was getuige Poems 89 printed pages [»»] Ali Alizadeh: Brutus [»»] Louis Armand and John Kinsella: Protologistic Poem [»»] Bob Arnold: Four poems from «A Possible Eden»: Crossing / My Love… / Adore / Stairway [»»] Rolf Dieter Brinkmann: Two poems, translated from the German by Mark Terrill [»»] Iain Britton: Plaster of Paris [»»] Tom Clark: Eleven poems: Southeast Wind / Primeval / History / Opus / Some Late Johnsoniana / Moviegoing (1940s) / Mnemonic / Ticky Tacky / The Man of Ouray / Muezzin / Message from the Captain [»»] Stuart Cooke: Bloom [»»] Thomas Devaney: Godspeed [»»] Gerardo Diego: Ten Poems (in Francisco Aragón: Contextualizing Gerardo Diego’s «Handbook of Foams») [»»] Ray DiPalma: An Additional 10 Poems from «Obloquium and Committer of Tidings» [»»] Michael Farrell: black mountain importer [»»] Adam Fieled: poems from Apparition Poems [»»] Norman Fischer: Three poems: Silliman Pass Song / Surprises / The Contestant [»»] Barbara Claire Freeman: Four poems: Serial, 9 / Sorbitol for Sugar / Speechless, Unable to Stand, an Infant Gazes into a Huge, Icy Mirror / Ashes, 2 [»»] Jim Goar: Four poems from “Notes from The Dustbowl” [»»] Michael S. Hennessey: Three poems: Entertainments / The Indigo Hours / 1994 [»»] Lynne Hjelmgaard: Song [»»] Jill Jones: Three poems: This Is Not Dove Cottage / ‘La Vida Loca’ / The Sweet Space [»»] Vincent Katz: Endless [»»] Amy King: The Ugly Americans [»»] John Latta: Five poems: Le Neutre / To Stupidity / To a Hack / The Charts / To James Schuyler in Heaven [»»] Alan Loney: Testament : ninth muse [»»] Ben Mazer: Poem (“Avion, Gorrion.”) [»»] Peter Minter: Fugue Moment [»»] Alistair Noon: Five poems from «Earth Records» [»»] Claire Potter: Two poems: Misreading / Minnie & Tom [»»] Raphael Rubinstein: “Some Ways of Looking at ‘Some Trees’” [»»] Gig Ryan: Two poems: Western Isles / That laments [»»] Jeffrey Side: Two poems: Something That Was Not Fragmented / I Can’t Make You Wrong No More [»»] Elizabeth Smither: Two poems: Engageantes = detachable sleeves / The underside of the miniature plane [»»] Rob Stanton: Four poems: Ode: On Arrival / Ode: On Sampling (i) / Ode: On Sampling (ii) / Ode: On the Recent Spate of Obituaries [»»] J R Toriseva: Rime [»»] Duncan White: Two poems: Animal / Fairytale Princess Head [»»] Les Wicks: Two poems: Understand / Anne [»»] Tim Wright: entourage (bar italia) [»»] Grzegorz Wróblewski: Two poems: According To The Enclosed Brochure / Cindy’s Cradle: Translated from the Polish by Agnieszka Pokojska |
105 printed pages [»»] Laura Moriarty: A Tonalist Where (and What) Art Thou? [»»] Taylor Brady: Maps, Jokes and Heavy Armor [»»] Julian T. Brolaski: Five poems [»»] Norma Cole: from «More Facts» [»»] Brent Cunningham: A Note on the A Tonalist [»»] Jean Daive: «A Woman with Several Lives», Tr. Norma Cole [»»] Ray DiPalma: Obloquium and Committer of Tidings: Seven poems [»»] Dolores Dorantes: from «Dear Factory» translated by Jen Hofer [»»] Patrick Durgin: Triptych: A Noir [»»] E. Tracy Grinnell: from «Helen, A Fugue» [»»] Rob Halpern: Literal Hallucination [»»] Jen Hofer: Resolved: 13 Sentences [»»] Paul Foster Johnson: Seven poems: Bronx Safe Room / Reversible Destiny Panic Room / Palace of Youth / Underground World Home / Folk Education / Lapidary / Palace of Arts [»»] Kathleen Miller: Codex Dora (a fragment of a Fragment) [»»] Geraldine Monk: Decade Dance [»»] Jocelyn Saidenberg: On Self Sovereignty: [»»] Standard Schaefer: Feralist Manifesto [»»] Michael Scharf: Two Poems: Sunday / What Did They Use to Cut Paper in Ancient Rome? [»»] Jesse Seldess: from «Which Is Exhibited» [»»] Roberto Tejada: Lost Continent [»»] Alli Warren: Three poems: All Matter of Beans / A Nice Quiet Moment for Mom (remix) / Some Greater Social Sharing [»»] Tyrone Williams: TB 58 printed pages [»»] Hélène Aji: “I [will not] Gather the Limbs of Osiris” Susan Howe’s Transcendent History [»»] Isabelle Alfandary: Reading «My Emily Dickinson» by Susan Howe [»»] Antoine Cazé: Susan Howe:TransParencies: Leafing Through [»»] Redell Olsen: Book-Parks and Non-sites: Susan Howe’s Scripted Enclosures Marginalalia: On Pierre Joris Justifying 84 printed pages [»»] Peter Cockelbergh: Introduction [»»] Peter Cockelbergh: Marginalalia. On Pierre Joris Justifying. [»»] Pierre Joris: ‘An “E” for an “A”’ [»»] Pierre Joris: ‘Made in England’ [»»] Pierre Joris: Extracts from «The Meridian», by Paul Celan. Final Version – Drafts – Materials (Stanford University Press, 2011) [»»] Pierre Joris: «Justifying the Margins» & «poems» Reviews: 320 printed pages [»»] Kim Addonizio: «Ordinary Genius: A Guide for the Poet Within», reviewed by Cathleen Calbert [»»] Adam Aitken: «Eighth Habitation», reviewed by Michelle Cahill [»»] Francisco Aragón: «Glow of our Sweat», reviewed by Craig Santos Perez [»»] Penny Arcade: «Bad Reputation: Performance, Essays, Interviews», reviewed by Noëlle Janaczewska [»»] Aaron Belz: «Lovely, Raspberry», reviewed by Douglas J. Belcher [»»] Cara Benson (ed): «Predictions», reviewed by Anna Elena Eyre [»»] Anselm Berrigan: «Free Cell», reviewed by Adam DeGraff [»»] Anne Boyer: «The Romance of Happy Workers», reviewed by Mary Kasimor [»»] Ana Božičević: «Stars of the Night Commute», reviewed by Nicole Mauro [»»] Nicole Brossard: «Selections», reviewed by John Findura [»»] Burning Deck Press: Caroline Dubois. «You Are the Business». Trans. Cole Swensen. Jennifer Martenson. «Unsound». Reviewed by Michael Tod Edgerton [»»] Manifest Thought: Norma Cole: Where Shadows Will: Selected Poems 1988–2008, reviewed by Michael Cross [»»] CA Conrad: «The Book of Frank», reviewed by Eileen Myles [»»] Alejandro Crawford: «Morpheu», reviewed by Timothy Leonido [»»] Laurie Duggan: «Crab & Winkle», reviewed by Tony Baker [»»] Denise Duhamel: «Ka-Ching!», reviewed by Thomas Fink [»»] Murray Edmond: «Walls to Kick and Hills to Sing From: A comedy with Interruptions», reviewed by Emma Bolden [»»] «Ecopoetics, no 6/7» Reviewed by Nicholas Birns [»»] Laureate of Violence: Brian Evenson: «Fugue State: Stories», reviewed by Keith Johnson [»»] Phantom Limbs: Brian Evenson: «Baby Leg», reviewed by Keith Leslie Johnson [»»] Michael Farrell: «A raider’s guide», reviewed by Chad Sweeney [»»] Cliff Forshaw: «A Ned Kelly Hymnal» reviewed by Ken Bolton [»»] Edward Foster: «The Beginning Of Sorrows», reviewed by John Olson [»»] William Freind: In the Conceptual Vacuum: on [Kenneth Goldsmith’s] Kent Johnson’s «Day» [»»] Angela Gardner: «Views of the Hudson — A New York Book of Psalms», reviewed by Tina Giannoukos [»»] Asher Ghaffar: «Wasps in a Golden Dream Hum a Strange Music», reviewed by Kristina Marie Darling [»»] Gaga A-GoGo: Lara Glenum: «Maximum Gaga», reviewed by Will Cordeiro [»»] Giles Goodland: «What the Things Sang», reviewed by Alistair Noon [»»] Kate Greenstreet: «The last 4 Things», reviewed by Bobbi Lurie [»»] Bill Griffiths: «Collected Earlier Poems (1966-80)», reviewed by Tony Baker [»»] Reading Gabriel Gudding: Henry Gould reviews «A Defense of Poetry» and «Rhode Island Notebook» [»»] Laura Hinton: «Sisyphus My Love (To Record a Dream in a Bathtub)», reviewed by Cynthia Hogue [»»] Lisa Jarnot: «Some Other Kind of Mission», reviewed by Crag Hill [»»] “Arrangement of Self”: Jill Jones: «Dark Bright Doors», reviewed by Chad Scheel [»»] Burt Kimmelman: «As If Free», reviewed by Gerald Schwartz [»»] Amy King: «Slaves to Do These Things» reviewed by Bobbi Lurie [»»] John Kinsella: «Post-colonial», reviewed by Adam Aitken [»»] John Kinsella: «Divine Comedy: Journeys through a Regional Geography», reviewed by Sara Wintz [»»] Matthew Klane: «B_____ Meditations», reviewed by Deborah Poe [»»] Ann Lauterbach: «Or To Begin Again», reviewed by Vincent Katz [»»] Ben Lerner, «Mean Free Path»: A review/essay by David Gorin [»»] Reb Livingston: «Your Ten Favorite Words», reviewed by Craig Santos Perez [»»] Alan Loney: «Day’s eye», reviewed by Marion May Campbell [»»] Webcam the World: Heather McHugh: «Upgraded to Serious», reviewed by Stephen Ross [»»] “Get me a violin —.” Nicole Mauro: The Contortions, reviewed by Emily Carr [»»] Ben Mazer: «Poems», and «January 2008», reviewed by Christopher Bock [»»] Jonathan Monroe: «Demosthenes’ Legacy», reviewed by Okla Elliott [»»] Rusty Morrison: «Whethering», reviewed by Jaime Robles [»»] Eileen Myles: «The Importance Of Being Iceland — travel essays in art», reviewed by Ken Bolton [»»] Sarah O’Brien: «Catch Light», reviewed by Drew Dillhunt [»»] Michael Palmer: «Active Boundaries: Selected Essays and Talks», reviewed by Vincent Katz [»»] Frances Presley: «Lines of Sight», reviewed by Anna Reckin [»»] Ed Roberson: «The New Wing of the Labyrinth», reviewed by Eric Weinstein [»»] «Collected Poems of Edwin Rolfe», Cary Nelson and Jefferson Hendricks, Eds., reviewed by Tom Hibbard [»»] Lisa Samuels: «Tomorrowland», reviewed by Ryan Downey [»»] Roger Snell: «The Morning» reviewed by Nicole Mauro [»»] Chad Sweeney: «Arranging The Blaze», reviewed by Edythe Schwartz [»»] Twinkling Gravitas: Dara Wier: «Selected Poems», reviewed by Michael D. Snediker [»»] John Tritica: «Sound Remains», reviewed by Craig Santos Perez [»»] Ian Wedde: «Good Business», reviewed by Peter Hughes [»»] Mark Weiss: «As Landscape», Chax Press, reviewed by Michael Gregory Stephens [»»] David Wolach: «Occultations», reviewed by Matthew Landis [»»] Mark Young: Genji Monogatari, reviewed by Sheila E. Murphy [»»] Raúl Zurita: «Purgatory», translated by Anne Deeney, reviewed by Forrest Gander | |
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