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a work-in-progress based on Yi Jing
Cambridge, January 2010
The prime-minister heliports
The prime-minister
heliports to an
army base seven
safe kilometres from
the refugee camp and
gets driven there in
an armour-plated jeep.
Cameras zoom into his
sincere sombre sober
warm composed face
as he sweats in rolled
up shirtsleeves inside
a tent, holding a two
year old child on
his lap. It was worth it,
he says afterwards in
private, grinning, his
steely eyes glinting.
* * *
We wash things
We wash things,
pour oil on them,
use them
for carrying, cooking,
cutting. Meanings
slip from one
thing to another.
Things also wing through
time, acquiring and
discarding meanings
like feathers. It’s the small
particles model and
mould dooms. The spaces
between shall also be opened,
and ways names
blur one another be noted.
But who shall open them,
rename them, and return?
* * *
Harriet, queue-jumping
Impatient to get home
and cook the scrumptiously
large lobster currently
garlanded in parsley,
stranded among ice blocks
and displayed on
the sloping slab of
marble above the haddock
kippers prawns crayfish
mullet cod plaice scab
mussels cockles whelks oysters
sea bass salmon trout herring
and mackerel — Harriet
managed to jump the queue
of hatted women that sloped
all the way up the hill
from the fishmonger
to the post office.
* * *
On a slow train between Cambridge and King’s Cross
Loopy summer. Our train
has stopped at Baldock and
now is off again. Curved wires
between pylons. England’s
greennesses hedge the line in.
Ding dong. The next
station is Letchworth. Platform
hung with flower baskets.
Overhead lamps panelled
in blue and white. Sky grey
and darker grey against grey.
Fields golding slow towards
harvest. Ding dong. The next
station is Hitchin. Field
banded by poppies and
silvering willows. To be
alive is good. To be alive
and well even better.
* * *
To a next-door-neighbour
This tide of summer perfume
neither respects nor knows
any silly boundaries
of private property. Look
how the honeysuckle you
planted below our fence
has crept through cracks
and stretched and clutched
and wound its
thousands of spiralling
tendrils around everything
it has encountered — all
apparently, to invade
my back garden in full-frontal
assault — from where its limbs
go on exploring in tangled
waves, tossing out flowers,
combing out sweetnesses.
Richard Berengarten used to be known as Richard Burns, under which name he published more than twenty books of poetry. With the publication of For the Living: Selected Writings 1: Longer Poems 1965-2000 by Salt Publishing in 2008, he repossessed the family name of his father, the cellist and saxophonist Alexander Berengarten. He styles himself a European poet who writes in English and lives in Cambridge. He was born in London in 1943 and has lived in Greece, Italy, the UK, the USA and former Yugoslavia, and has travelled widely in other countries. In 1975 he launched and co-ordinated the first international Cambridge Poetry Festival. His poems have been translated into more than 80 languages. He is a Bye-Fellow at Downing College, Cambridge and Preceptor at Corpus Christi College.