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Latent Progress
a petite rage is flying over this apricot sky and
bottling the chatter of spaces.
It wasn’t to
have been
an end.
Scourge of brushed
pardons wrestles
a
secular pity everywhere
from these bruised
specimens
on the
table.
Image this
unruffling
as such.
A tapestry of
clouded
speech at breakfast,
misgiving in a
slip-stream run-off
mind
over the latter
half of the night’s
purpose
plumed
on the victory of word
over word
a handful of
perfect
autumn mistakes
Short History
It started with cities, two
moons, and a
tattered
armchair spinning all the
way through decades of
windy
tunnels, visions, cool clear nighttime
bridges of stuttering
cars
and twinkling
buildings in the slit of an
eye. Vast and studded
with
milky windows
reflecting only that
singular light, our skyscrapers
rose to
clocks, we were grown
to assume the world
contained us. It
started with a
plush and distensible scaffolding
electric in
that
moon, strumming the winter's icy
tune. It started with floods,
always
floods, then a viscous
certainty and
in suit a series
of
similarly prone
resistances. It started
like that
perfect
lemonade over and
over again in grooves black as
a hearse or
somebody’s
shoes. With a
steady and querulous
vernacular treading
too
lightly on its own
dusty tarmac to
register. It
started with
syncopated
meals and a
Chevrolet burning
halfway up the
hill, our
halfway prepared
oblation, half
squandered,
half
masked
Elizabeth Fodaski is the author of fracas (Krupskaya, 1999). She lives in New York City where she teaches English at Saint Ann’s School.