Jacket 17 - Ken Ruthven, Faking Literature: the Bibliography

Babcock-Adams, Barbara, ‘“A Tolerated Margin of Mess”: The Trickster and His Tales Reconsidered’, Journal of the Folklore Institute, 1975 (Bloomington, Ind., 1975), 145–86.

Bacon, Francis, ‘The Nature of Poetry’, in English Critical Essays, ed. E.D. Jones, 104–09.

Bagnani, Gilbert, ‘On Fakes and Forgeries’, Phoenix, 14 (1960), 228–44.

Baine, Rodney M., Daniel Defoe and the Supernatural (Athens, Ga, 1968).

Baines, Paul, ‘ “Ward in Pillory’’: Alexander Pope and the Case of Forgery’, Literature and History, 12 (1986), 195—214.

———, ‘Literary Forgery and the Ideology of Detection’, SVEC, 303 (1992), 597–600.

———, ‘“Putting a Book out of Place’’: Johnson, Ossian and the Highland Tour’, Durham University Journal, n.s., 53 (1992), 235–48.

———, ‘The Macaroni Parson and the Marvellous Boy: Literature and Forgery in the Eighteenth Century’, Angelaki, 1.2 (1994), 95–112.

———, The House of Forgery in Eighteenth-Century Britain (Aldershot, 1999).

Ball, Robert J. and J.D. Ellsworth, ‘The Emperor’s New Clothes: Hyper-reality and the Study of Latin’, Modern Language Journal, 80 (1996), 77–84.

Banfield, Edward C., ‘Art versus Collectibles: Why Museums Should Be Filled with Fakes’, Harper’s Magazine, 1587 (August 1982), 28–34.

Baridon, Michel, ‘Ruins as a Mental Construct’, Journal of Garden History, 5 (1985), 84–96.

Barker, Nicolas, The Butterfly Books: An Enquiry into the Nature of Certain Twentieth Century Pamphlets (London, 1987).

———, and John Collins, A Sequel to ‘An Enquiry into the Nature of Certain Nineteenth Century Pamphlets’: The Forgeries of H. Buxton Forman and T.J. Wise Re-Examined (London, 1983).

———, ‘The Forgery of Printed Documents’, in Fakes and Frauds, ed. Robyn Myers and Michael Harris (Winchester, 1989), 109—23.

Barnes, Julian, England, England (London, 1998).

Barnum, P.T., The Humbugs of the World: An Account of Humbugs, Delusions, Impositions, Quackeries, Deceits and Deceivers Generally, in All Ages (New York, 1866).

Barth, John, ‘The Literature of Exhaustion [1967]’, in The Novel Today, ed. Malcolm Bradbury (Glasgow, 1990), 71–85.

Barthes, Roland, ‘The Reality Effect [1968]’, in The Rustle of Language, trans. Richard Howard (New York, 1986), 141–48.
‘The Death of the Author [1968]’, in Image Music Text, trans. Stephen Heath (Glasgow, 1977), 142–48.

———, S/Z [1970] (New York, 1974).

Bate, Jonathan, ‘Faking It: Shakespeare and the 1790s’, Essays and Studies, 46 (1993), 63–80.
‘The Authorship Controversy’, The Genius of Shakespeare (London, 1997), 65–100.

Bate, Walter Jackson, ‘Percy’s Use of His Folio Manuscript’, Journal of English and Germanic Philology, 43 (1944), 337–48.

———, The Burden of the Past and the English Poet (Cambridge, Mass., 1970).

Bates, Susannah, The Pendex: An Index of Pen Names and House Names in Fantastic, Thriller, and Series Literature (New York, 1981).

Baudelaire, Charles, Baudelaire as a Literary Critic, trans. Lois Boe Hyslop and Francis E. Hyslop (Pittsburgh, 1964).

Baudrillard, Jean, Simulations [1991], trans. Paul Fosse et al (New York, 1983).
The Gulf War Did Not Take Place [1991], trans. Paul Patton (London, 1995).

Bauer, Dale M., ‘The Politics of Collaboration in The Whole Family’, in Old Maids to Radical Spinsters, ed. Laura L. Doan (Urbana, Ill., 1991), 107–22.

Baym, Nina, ‘Delia Bacon: History’s Odd Woman Out’, NEQ, 69 (1996), 223–49.

Beckett, Alice, Fakes: Forgery and the Art World (London, 1995).

Bédoyère, Guy de la, ‘John Evelyn and the Art of Quoting’, TLS, 8 September 1995, 16.

Bendix, Regina, In Search of Authenticity: The Formation of Folklore Studies (Madison, Wis., 1997).

Benjamin, Mary A., ‘The Forger and His Work’, Autographs [1946], rev. ed. (New York, 1963), 87–110.

Benjamin, Walter, Illuminations [1955], trans. Harry Zohn (London, 1973).

Bennett, Tony and Janet Woollacott, Bond and Beyond: The Political Career of a Popular Hero (London, 1987).

Bentley, Gerald Eades, ‘Authenticity and Attribution in the Jacobean and Caroline Drama’, English Institute Annual: 1942 (1943), 101–18.

Berek, Peter, ‘The “Upstart Crow”, Aesop’s Crow, and Shakespeare as Reviser’, Shakespeare Quarterly, 35 (1984), 205–07.

Berne, Eric, Games People Play: The Psychology of Human Relationships [1964] (London, 1966).

Bernstein, Herman, The Truth about ‘The Protocols of Zion’ [1935], intro. Norman Cohn (New York, 1971).

Blair, John G., The Confidence Man in Modern Fiction: A Rogue’s Gallery with Six Portraits (London, 1979).

Bloom, Harold, The Anxiety of Influence (New York, 1973).

———, et a.l, ‘Plagiarism: A Symposium’, TLS, 9 April 1982, 413–15.

Blumenthal, Walter Hart, False Literary Attributions: Works not Written by Their Supposed Authors, or Doubtfully Ascribed ( Lexington, Ky, 1965).

Bodde, Derk, Shakspere and the Ireland Forgeries (Cambridge, Mass., 1930).

Boller, Paul F. and John George, They Never Said It: A Book of Fake Quotes, Misquotes, and Misleading Attributions (New York, 1989).

Boorstin, Daniel J., The Image: A Guide to Pseudo-Events in America [1961] (New York, 1964).

Borges, Jorge Luis, Labyrinths [1956–60], ed. Donald A. Yates and James E. Irby (Harmondsworth, 1970).

Bormann, Ernest G., ‘Ethics of Ghostwritten Speeches’, Quarterly Journal of Speech, 47 (1961), 262–67.

Bose, Mihir and Cathy Gunn, Fraud: The Growth Industry of the Eighties (London, 1989).

Bouchard, Norma, ‘“Critifictional” Epistemes in Contemporary Literature: The Case of Foucault’s Pendulum’, Comparative Literature Studies, 32 (1955), 497–513.

Bowers, Neal, ‘A Loss for Words: Plagiarism and Silence’, ASch, 63 (1994), 545–55.
Words for the Taking: The Hunt for a Plagiarist (New York, 1997).

Boyes, Georgina, The Imagined Village: Culture, Ideology and the English Folk Revival (Manchester, 1993).

Bracey, Robert, Eighteenth–Century Studies and Other Papers (Oxford, 1925).

Bredius, Abraham, A New Vermeer: Christ and the Disciples at Emmaus’, Burlington Magazine, 71 (November 1937), 10–11.

Brinton, Daniel G., ‘The Curious Hoax of the Taensa Language’, Essays of an Americanist (Philadelphia, 1890), 452–67.

Bristol, Michael D., ‘Shakespeare the Myth’, in A Companion to Shakespeare., ed. David Scott Kastan (Oxford, 1999), 489–502.

Bronson, Bertrand H., Joseph Ritson: Scholar-at-Arms, 2 vols. (Berkeley, Calif., 1938).

Brooke, Christopher, ‘Approaches to Medieval Forgery [1968]’, Medieval Church and Society (London, 1971), 100–20.

Browne, Sir Thomas, Religio Medici [1643], ed. James Winny (Cambridge, 1963).

Browning, Robert, The Complete Works of Robert Browning, ed. Roma A. King et al., 11 vols. (Athens, Ohio, 1969–98).

———, ‘Essay on Chatterton [1842]’, Complete Works, vol. III, 161–79.

———, ‘Essay on Shelley [1852]’, Complete Works, vol. v, 137–51.

Brunazzi, Elizabeth, ‘The Question of Colette and Collaboration’, TSWL, 13(1994), 281–91.

Burkett, B.G. (with Glenna Whitley), Stolen Valor: How the Vietnam Generation Was Robbed of Its Heroes and Its History (Dallas, 1999).

Burroughs, William S., ‘Les Voleurs’, The Adding Machine (New York, 1986), 19–21.

Burton, Sarah, Impostors: Six Kinds of Liar (London, 2000).

Buruma, Ian, Voltaire’s Coconuts, or Anglomania in Europe (London, 1999).

Butler, Judith, Gender Trouble: Feminism and the Subversion of Identity (New York, 1990).

———, Excitable Speech: A Politics of the Performative (New York, 1997).

Byron, Lord, Complete Poetical Works, ed. Jerome McGann, 9 vols. (Oxford, 1980–93).

———, Letters and Journals, ed. Rowland E. Prothero, 6 vols. (London, 1922).

Caillois, Roger, Man, Play and Games [1958], trans. Meyer Barash (New York, 1961).

Callaghan, Dympna, ‘The Vicar and Virago: Feminism and the Problem of Identity’, in Who Can Speak?, ed. Roof and Wiegman, 195–207.

Cameron, Anne, Daughters of Copper Woman (Vancouver, B.C., 1981).

Camille, Michael, ‘The Tres Riches Heures: An Illuminated Manuscript in the Age of Mechanical Reproduction’, Critical Inquiry, 17 (1990), 72–107.

Carcaterra, Lorenzo, Sleepers (London, 1995).

Carpenter, Frederic I., ‘The Vogue of Ossian in America: A Study in Taste’, American Literature, 2 (1930–31), 405–17.

Carroll, David, ‘Freud and the Myth of Origin’, NLH, 6 (1974–75), 513–28.

Carter, John and Graham Pollard, An Enquiry into the Nature of Certain Nineteenth Century Pamphlets (London, 1934).

Catterall, Lee, The Great Dali Art Fraud and Other Deceptions (Fort Lee, N.J., 1992).

Caviness, Madeline Harrison, ‘ “De convenientia et cohaerentia antiqui et novi operis”: Medieval Conservation, Restoration, Pastiche and Forgery’, in Intuition und Kunstwissenschaft, ed. Peter Bloch et al. (Berlin, 1973), 205–21.

Cescinsky, Herbert, The Gentle Art of Faking Furniture (New York, 1931).

Chambers, E. K., The History and Motives of Literary Forgeries (Oxford, 1891).

Chapman, R.W., ‘Blair on Ossian’, RES, 7 (1931), 80–83.

Chatterton, Thomas, The Complete Works of Thomas Chatterton, ed. Donald S. Taylor and Benjamin Lee Hoover, 2 vols. (Oxford, 1971).

———, The Rowley Poems 1794, intro. Jonathan Wordsworth (Oxford, 1990).

Chestnut, Mary, A Diary from Dixie, ed. Ben Ames Williams, foreword Edmund Wilson (Cambridge, Mass., 1980).

Cifali, Mireille, ‘The Making of Martian: The Creation of an Imaginary Language’, in Theodore Flournoy, From India to the Planet Mars [1899], ed. Sonu Shamdasani (Princeton, N.J., 1994), 269–87.

Clanchy, M.T., From Memory to Written Record: England 1066–1307 [1979], 2nd ed. (Oxford, 1993).

Clark, Carol Lea, ‘Charles A. Eastman (Ohiyesa) and Elaine Goodale Eastman: A Cross-Cultural Collaboration’, TSWL, 13 (1994), 271–80.

Clark, Kenneth, ‘Forgeries’, HisT, 29 (1979), 724–33.

Clifford, James L., ‘Johnson and Lauder’, PQ, 54 (1975), 342–56.

Cohn, Dorrit, The Distinction of Fiction (Baltimore, 1999).

Cohn, Norman, Warrant for Genocide: The Myth of the Jewish World-Conspiracy and the Protocols of the Elders of Zion (London, 1967).

Colcord, Lincoln and Heywood Broun, ‘Are Literary Hoaxes Harmful? A Debate’, Bookman, 69 (June 1929), 347–54.

Cole, Sonia, Counterfeit (London, 1955).

Colgan, Maurice, ‘Ossian: Success or Failure for the Scottish Enlightenment?’, in Aberdeen and the Enlightenment, ed. Jennifer J. Carter and Joan H. Pittock (Aberdeen, 1987), 344–49.

Collins, John, The Two Forgers: A Biography of Harry Buxton Forman and Thomas J. Wise (Aldershot, 1992).

Combs, Richard, ‘Orson Welles’s F for Fake [1976]’, in Imagining Reality, ed. Kevin Macdonald and Mark Cousins (London, 1996), 221—24.

Constable, Giles, ‘Forgery and Plagiarism in the Middle Ages’, Archiv fur Diplomatik, 29 (1983), 1–41.

Coombe, Rosemary J., The Cultural Life of Intellectual Properties (Durham, N.C.,1998).

Cooney, Seamus, ‘Scott’s Anonymity — Its Motives and Consequences’, SSL, 10 (1973), 207–19.

Cosgrove, Stuart, ‘In Praise of Plagiarism’, New Statesman and Society, 1 September 1989, 38–39.

Coward, Rosalind, ‘Looking for the Real Thing’, New Statesman 1 April 1988, 20–22.

Crawford, Robert, ‘Post-Cullodenism’, LRB, 3 October 1996, 18.

Critchley, Simon, The Ethics of Deconstruction: Derrida and Levinas (Oxford, 1992).

Crowley, John W, ‘The Whole Famdamnily’, NEQ, 60 (1987), 106–13.

Culler, Jonathan, Framing the Sign: Criticism and Its Institutions (Oxford, 1988).

Cyr, Helen W., The Shakespeare Identity Crisis: A Reference Guide (Baltimore, 1986).

Davis, Bertram H., Thomas Percy: A Scholar–Cleric in the Age of Johnson (Philadelphia, 1989).

Davis, Leith, ‘“Origins of the Specious”: James Macpherson’s Ossian and the Forging of the British Empire’, ECent, 34 (1993), 132–50.

Davis, Whitney, Replications: Archaeology, Art History, Psychoanalysis (University Park, Penn., 1996).

Dawson, George, ‘Literary Forgeries and Impostures’, Shakespeare and Other Lectures, ed. George St Clair (London, 1888), 142–53.

Debord, Guy, Society of the Spectacle [1967] (Detroit, 1977).

———, Comments on the Society of the Spectacle [1988], trans. Malcolm Imrie (London, 1990).

De Graef, Ortwin, ‘Dead Herrings: “You Must Have Mistaken the Author”’, Textual Practice, 8 (1994), 239–54.

De Grave, Kathleen, Swindler, Spy, Rebel: The Confidence Woman in Nineteenth-Century America (Columbia, Miss., 1995).

De Grazia, Margreta, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus (Oxford, 1991).

Deleuze, Gilles, ‘The Powers of the False’, Cinema 2: The Time-Image [1985], trans. Hugh Tomlinson and Robert Galeta (London, 1989), 126–55.

———, ‘The Simulacrum and Ancient Philosophy’, The Logic of Sense [1969], trans. Mark Lester, ed. Constantin V. Boundas (London, 1990), 253–79.

———, Difference and Repetition [1968], trans. Paul Patton (London, 1994).

———, and Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia [1980], trans. Brian Massumi (Minneapolis, 1987).

Deloria, Philip J., Playing Indian (New Haven, Conn., 1998).

Del Renzio, Toni, ‘Multiple Authenticity’, Art and Artists, 9 (July 1974), 22–27.

De Plaen, Guy, ‘Authenticity: An Uncertain Concept’, Museum, 41 (1989), 127–28.

De Quincey, Thomas, ‘Walladmor. A Pseudo–Waverley Novel’, The Collected Writings of Thomas De Quincey, ed. David Masson, vol. xiv (Edinburgh, 1890), 132–45.

Derrida, Jacques, Of Grammatology [1967], trans. Gayatri Chakravorty Spivak (Baltimore, 1976).

———, ‘Signature Event Context’, Glyph, i (1977), 172–97.

———, Acts of Literature, ed. Derek Attridge (New York, 1992).

———, Given Time:1. Counterfeit Money [1991], trans. Peggy Kamuf (Chicago, 1992).

———, ‘Force of Law: The “Mystical Foundation of Authority” [1989]’, in Deconstruction and the Possibility of Justice, ed. Drucilla Cornell et al. (New York, 1992), 3–67.

Dickinson, Emily, The Poems of Emily Dickinson, ed. Thomas H.Johnson, 3 vols. (New York, 1955).

Disraeli, Isaac, Curiosities of Literature, ed. Benjamin Disraeli, 3 vols. (London, 1881).

Doctorow, E.L., ‘False Documents’, American Review, 26 (November 1977), 215–32.

Doody, Margaret Anne, The Daring Muse: Augustan Poetry Reconsidered (Cambridge, 1985).

Dorson, Richard M., ‘Folklore and Fake Lore’, American Mercury, 70 (1950), 335–49.

———, Folklore and Fakelore (Cambridge, Mass., 1976).

Douglas, Mary, Purity and Danger: An Analysis of Concepts of Pollution and Taboo (London, 1966).

Dovey, Kimberly, ‘The Quest for Authenticity and the Replication of Environmental Meaning’, in Dwelling, Place and Environment, ed. David Seamon and R. Mugerauer (The Hague, 1986), 33–49.

Dow, Steve, ‘Sins of the Mothers’, Australian, 15–16 May 1999, Magazine, 14–16.

Drabble, Margaret (ed.), The Oxford Companion to English Literature, new ed. (Oxford, 1985).

Drewe, Robert, ‘Solved: The Great B. Wongar Mystery’, Bulletin Literary Supplement, 21 April 1981, 2–7.

Drobnicki, John A. et al., ‘Holocaust-Denial Literature: A Bibliography’, BB, 51 (1994), 17–14; 53 (1996), 259–68; 55 (1998), 157–68.

Dryden, John, An Essay of Dramatic Poesy [1668]’, in English Critical Essays, ed. E. D.Jones, 122–206.

Durham, Scott, Phantom Communities: The Simulacrum and the Limits of Postmodernism (Stanford, Calif, 1998).

Dwyer, David, Ariana Olisvos Her Last Works and Days (Cambridge, Mass., 1976).

Dyer, Carolyn Stewart and Nancy Tillman Romalov (eds.), Rediscovering Nancy Drew (Iowa City, 1995).

Dyer, Geoff, Out of Sheer Rage: In the Shadow of D.H. Lawrence (London, 1997).

Eco, Umberto, Faith in Fakes, trans. William Weaver (London, 1986); repr. as Travels in Hyperreality (London, 1987).

———, Foucault’s Pendulum, trans. William Weaver (London, 1989).

———, ‘Forgeries, Originals and Identity’, in Signs of Humanity / L’homme et ses signes’ ed. Michel Balat and Janice Deledall-Rhodes, vol. II (Berlin and New York, 1992), 605–18.

———, ‘The Force of Falsity’, Serendipities, trans. William Weaver (New York, 1998), 1–21.

Ede, Lisa and Andrea Lunsford, Singular Texts / Plural Authors: Perspectives on Collaborative Writing (Carbondale, Ill., 1990).

Edwards, W.A., Plagiarism: An Essay on Good and Bad Borrowing (Cambridge, 1933).

Ehrsam, Theodore G., Major Byron: The Incredible Career of a Literary Forger (London, 1951).

Eliot, T.S., Selected Prose of T.S. Eliot, ed. Frank Kermode (London, 1975).

Ellison, Ralph, Invisible Man (New York, 1952).

Emerson, Ralph Waldo, ‘Quotation and Originality [1876]’, in Ralph Waldo Emerson, ed. Richard Poirier (Oxford, 1990), 427–39.

‘Ern Malley’ [James McAuley and Harold Stewart], Collected Poems (Pymble, N.S.W., 1993).

Fagan, Louis, The Life of Sir Anthony Panizzi, K.C.B. [1880], 2 vols. (New York,

Fairer, David, ‘The Poems of Thomas Warton the Elder?’, RES, 26 (1975), 287–300, 395–406.

Farrer, J.A., Literary Forgeries, intro. Andrew Lang (London, 1907).

Fay, Stephen et al., Hoax: The Inside Story of the Howard Hughes – Clifford Irving Affair (London, 1972).

Feather, John, ‘The Book Trade in Politics: The Making of the Copyright Act of 1710’, Publishing History, 8 (1980), 19–44.

Federman, Raymond, Critifiction: Postmodern Essays (Albany, N.Y., 1993).

Fedler, Fred, Media Hoaxes (Ames, Iowa, 1989).

Feifer, Maxine, Going Places: The Ways of the Tourist from Imperial Rome to the Present Day (London, 1985).

Ferguson, Niall (ed.), Virtual History: Alternatives and Counterfactuals (London, 1998).

‘Fernandes de Briao’ [Joyce Carol Oates], ‘Plagiarized Material’, The Poisoned Kiss and Other Stories from the Portuguese (New York, 1975), 159–81.

Fetterley, Judith, The Resisting Reader: A Feminist Approach to American Fiction (Bloomington, Ind., 1978).

Finney, Brian, ‘Peter Ackroyd, Postmodernist Play and Chatterton’, Twentieth Century Literature, 38 (1992), 240–61.

Fitzgerald, F. Scott, The Bodley Head Scott Fitzgerald, intro. J.B. Priestley, vol. 1 (London, 1958).

Flowers, Amy, The Fantasy Factory: An Insider’s View of the Phone Sex Industry (Philadelphia, 1998).

Foley, Frederic J., The Great Formosan Impostor (St Louis, Miss., 1968).

Folkenflik, Robert, ‘Macpherson, Chatterton, Blake and the Great Age of Literary Forgery’, Centennial Review, 18 (1974), 378–91.

‘Forrest Carter’ [Asa Carter], The Education of Little Tree [1976], intro. Rennard Strickland (Albuquerque, 1986).

Forster, E.M., ‘‘Anonymity: An Enquiry [1925]’, Two Cheers for Democracy (London, 1951), 87–97.

Forward, Toby, ‘Diary’, LRB, 4 February 1988, 21.

———, Feminine Parts: A Book of Milesian Tales (London, 1992).

Foucault, Michel, ‘What Is an Author? [1968]’, Language, Counter-Memory, Practice, ed. and intro. Donald F. Bouchard (Oxford, 1977), 113–38.

———, Discipline and Punish: The Birth of the Prison [1975], trans. Alan Sheridan (Harmondsworth, 1979).

Franzen, Christine, The Tremulous Hand of Worcester: A Study of Old English in the Thirteenth Century (Oxford, 1991).

Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, ed. and trans. James Strachey et aL, 24 vols. (London, 1966–73).

Frow, John, ‘Repetition and Limitation: Computer Software and Copyright Law’, Screen, 29 (1988), 4–20.

———, ‘Intertextuality and Ontology’, in Intertextuality, ed. Michael Worton and Judith Still (Manchester, 1990), 45–55.

Fruman, Norman, Coleridge, the Damaged Archangel (New York, 1971).

Frye, Northrop, ‘Towards Defining an Age of Sensibility’, ELH, 23 (1956), 144–52.

———, Anatomy of Criticism (Princeton, N.J., 1957).

Fuegi, John, The Life and Lies of Bertolt Brecht (London, 1994).

Furbank, P.N. and W.R. Owens, Defoe De-Attributions (London, 1994).

———, ‘The Defoe That Never Was: A Tale of De-Attribution’, ASch, 66 (1997), 276–84.

Gaddis, William, The Recognitions [1955] (London, 1985).

Galsworthy, John, ‘Conscience [1922]’, Caravan (London, 1925), 817–25.

Ganzel, Dewey, Fortune and Men’s Eyes: The Career of John Payne Collier (Oxford, 1982).

Garber, Marjorie, Shakespeare’s Ghost Writers: Literature as Uncanny Causality (New York, 1987).

Garbus, Martin and Richard Kurnit, ‘Libel Claims Based on Fiction Should Be Lightly Dismissed’, BrLR, 51 (1985), 401–23.

Gary, Romain, Vie et mort d’Emile Ajar (Paris, 1981).

Gaskill, Howard, ‘“Ossian” Macpherson: Towards a Rehabilitation’, Comparative Criticism, 8 (1986), 113–46.

———, ‘Ossian in Europe’, Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée, 21 (1994), 643–78.

———, (ed.), Ossian Revisited (Edinburgh, 1991).

Gates, Henry Louis, Jr, ‘“Authenticity”, or the Lesson of Little Tree’, NYTBR, 24 November 1991, 1, 26–30.

Geertz, Clifford, The Interpretation of Culture (New York, 1973).

Genette, Gerard, Paratexts: Thresholds of Interpretation [1987], trans. Jane E. Lewin (Cambridge, 1997).

Gibson, H.N., The Shakespeare Claimants: A Critical Survey of the Four Principal Theories Concerning the Authorship of Shakespeare’s Plays [1962] (New York, 1971).

Gide, Andre, Les Faux-Monnayeurs [1926], ed.J.C. Davies (London, 1986).

Gilbert, Sandra Caruso Mortola and Susan Dreyfuss David Gubar, ‘Ceremonies of the Alphabet: Female Grandmatologies and the Female Authorgraph’, in The Female Autograph, ed. Domna C. Stanton (Chicago, 1987), 21–48.

Gillman, Susan, Dark Twins: Imposture and Identity in Mark Twain’s America (Chicago, 1989).

Ginsberg, Elaine K. (ed.), Passing and the Fictions of Identity (Durham, N.C.: 1996).

Goldberg, Jonathan, Writing Matter: From the Hands of the English Renaissance (Stanford, Calif., 1990).

Goldsworthy, Peter, ‘The Dewogging of Helen Demidenko [1996]’, Navel Gazing (Ringwood, Vic., 1998), 26–42.

Goodman, Ellen, ‘The Doris Lessing Hoax [1984]’, in Critical Essays on Doris Lessing, ed. Claire Sprague and Virginia Tiger (Boston, Mass., 1986), 212–13.

Goux, Jean–Joseph, The Coiners of Language [1984], trans. Jennifer Curtiss Gage (Norman, Okla, 1994).

Grace, Sherrill E., ‘Respecting Plagiarism: Tradition, Guilt, and Malcolm Lowry’s “Pelagiarist Pen” ‘, ESC, 18 (1992), 461–82.

Grafton, Anthony, Forgers and Critics: Creativity and Duplicity in Western Scholarship (Princeton, N.J., 1990).

Gray, Thomas, Correspondence of Thomas Gray, ed. Paget Toynbee and Leonard Whibley, 3 vols. (Oxford, 1935).

Grebanier, Bernard, The Great Shakespeare Forgery: A Mew Look at the Career of William Henry Ireland (London, 1966).

Green, J.C.R., Fernando Pessoa: The Genesis of the Heteronyms (Portree: Isle of Skye, 1982).

Greene, David, Makers and Forgers (Cardiff, 1975).

Griffin, Robert J., ‘Anonymity and Authorship’, NLH, 30 (1999), 877–95.

Groom, Nick, ‘Forgery or Plagiarism? Unravelling Chatterton’s Rowley’, Angelaki, 1.2 (1994), 41–54.

———, ‘Thomas Chatterton Was a Forger’, Yearbook of English Studies, 28 (1998), 276–91.

———, The Making of Percy’s Reliques (Oxford, 1999).

Guattari, Felix, Chaosmosis: An Ethico-Aesthetic Paradigm [1992], trans. Paul Bains and Julian Pefanis (Bloomington, Ind., 1995).

Gudeman, Alfred, ‘Literary Frauds among the Greeks’, in Classical Studies in Honour of Henry Drisler (London, 1894), 52–74.

———, ‘Literary Frauds among the Romans’, Transactions of the American Philological Association, 25 (1894–95), 140–64.

Gunew, Sneja, ‘Culture, Gender and the Author-Function: “Wongar’s” Walg [1987]’, in Australian Cultural Studies, ed. John Frow and Meaghan Morris (St Leonards, N.S.W., 1993), 3–14.

———, ‘The Demidenko Show and Its Gratifying Pathologies’, AusFS, 11 (1996), 53–63.

Guy, Josephine M., ‘Self-Plagiarism, Creativity and Craftsmanship in Oscar Wilde’, English Literature in Transition, 41 (1998), 6–23.

Hacking, Ian, Rewriting the Soul: Multiple Personality and the Sciences of Memory (Princeton, N.J., 1995).

Haddy, Richard I., ‘The Münchhausen of Munchausen Syndrome’, Archives of Family Medicine, 2 (1993), 141–42.

Hagstrum, Jean, The Sister Arts: The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray (Chicago, 1958).

Haldeman, Joe, The Hemingway Hoax (London, 1990).

Hall, Max, Benjamin Franklin and Polly Baker: The History of a Literary Deception [1960] (Pittsburgh, 1990).

Hallahan, William H., The Ross Forgery (London, 1977).

Hallgren, Gary, ‘T.S. Eliot’s Wasteland, in Henry Beard et al., The Book of Sequels (New York, 1991), 126–27.

Hamburger, Kate, ‘Authenticity as Mask: Wolfgang Hildesheimer’s Marbof, in Neverending Stories, ed. Ann Fehn et al. (Princeton, N.J., 1992), 87–97.

Hamilton, Charles, The Robot that Helped to Make a President: A Reconnaissance into the Mysteries of John F. Kennedy’s Signature (New York, 1965).

Harker, Dave, Fakesong: The Manufacture of British ‘Folksong’ 1700 to the Present Day (Milton Keynes, 1985).

Harrex, Syd and Susan Hosking, ‘Black and Dead Letters: Some Lessons Learned from Bogus Autobiography’, in Raj Nostalgia, ed. Annie Greet et al. (Adelaide, 1992), 47–59.

Harris, PR., A History of the British Museum Library 1753–1973 (London, 1998).

Harris, Patricia R., The Reading Room (London, 1979).

Harris, Robert, Selling Hitler: The Story of the Hitler Diaries (London, 1986).

Harrison, Wilson R., ‘Forged Signatures’, Suspect Documents: Their Scientific Examination (London, 1966), 373–426.

Harvey, Sir Paul and J.E. Heseltine, The Oxford Companion to French Literature (Oxford, 1959).

Haugen, Kristine Louise, ‘Ossian and the Invention of Textual History’, Journal of the History of Ideas, 59 (1998), 309–27.

Haverkamp-Begemann, Egbert with Carolyn Logan, Creative Copies: Interpretative Drawings from Michelangelo to Picasso (New York, 1988).

Hayes, Julie C., ‘Plagiarism and Legitimation in Eighteenth-Century France’, ECent, 34 (1993) 115–31.

Haywood, Ian, The Making of History: A Study of the Literary Forgeries of James Macpherson and Thomas Chatterton in Relation to Eighteenth-Century Ideas of History and Fiction (Rutherford, N.J., 1986).

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