1
You are parceled out over the post office 
Letters arrive from Jonathan, Sasha 
A season in Millville New Jersey 
 
The voice is feedback and not insensitive 
to moths as light           dispersed in spots 
through this room. When I see the particles 
who rations these waves for me? 
 
Only that you might sit here unafraid 
listening to the termites eat out the walls 
and wonder how they do it      the stamina, 
I mean the breeding 
 
It was about the family he confided 
The effect this might have on them 
could not be ignored, even as they slept 
 
And when letters would arrive the next morning 
after the bicycle, who was to say 
where was her heart in all of this? 
 
          
2
Mailbags under the porch 
A calm across the lake 
 
The family hurts me as I lounge about 
these pine walls trying to read 
A scratching in the wood prevents sobriety, or else 
the knowledge of it ending with the itching never 
subsided 
 
The letters are damp with use 
My fingers are moist 
Inkstains cover the tablecloth 
that now resembles ‘black’ 
 
A song that will always have the same hold 
on you is painful for me, you see because 
I never even knew it and have nothing to 
counter your passion,           the energy 
with which you embrace the other girl’s radio 
 
          
3
She is no longer of use to them 
when they forsake the lake for the ocean 
 
In fact, she’s almost a hindrance, the 
way she likes to ‘cut-up’ everything, 
keeps using up paper      writes letters 
and they don’t let her go anyway 
All the way 
 
You’re swimming nude in the ocean 
It’s 2 A. M. Some policemen will come 
and ask you to go                gently 
when they see how young you are 
 
You will mount the stairs to the attic 
of the house where you’re staying 
the ‘house of Lynn’s aunt who is away’, 
and you will be surprised to see her 
there between two beds,                two boys 
They are putting on their clothes when 
she says no,                don’t go 
 
Dear Jon,      This is Atlantic City 
I am thirteen years old      This is the 
birthday of the song they’re playing 
when they interrupt us eight years later 
 
          
4
We are saying goodbye to the inanimate objects 
They are mostly of wood 
Light seeps through these cracks, 
as squirrels in winter 
when the lady comes cleaning up 
misses them under the bedsheets 
 
I am trying to imagine the light in winter, not 
being told as squirrels, termites 
I am learning how they live from books 
We are writing ‘Ten Facts’ in the city 
 
Light defines these cracks which are of wood 
as you are ‘my only shape and substance’ 
or the voice is dispersed in outlines 
of spots through the room 
 
A beam crashes the dials 
I am thinking now of all the little animals 
 
          
5
The family is livening up the house 
with the radio       but she is not there 
and is only told later 
the pine was ‘rocking’ 
 
You are perhaps on a boat watching 
the children watching the sunset from the pier 
or else fishing by the sand-bar, adoring the heron 
The boat is rocking 
 
She is rationing out her love, as waves 
are sectioned out over the lake 
disappearing into the land, 
sending the energy home 
 
She remembers the couple going over the dam 
in the canoe. Strangers from Vineland New Jersey 
A song attached to them immediately 
 
There are foreign waters foreign objects float upon 
They are large splinters of wood and resemble 
the pieces of letters 
I can’t seem to get off to you, off the shore 
 
          
6
The bicycle trip is arduous and not unlike 
the energy it takes descending these steps daily 
seeing if the mail has come at 9:30 A.M. 
 
The energy is parceled out into the day 
His legs are weak from making love 
 
The forces it takes licking the envelope in 
Athens come at me as the sounds shaking 
the foundations of the house they’re tearing apart 
 
It is of pine 
Only the land is not yours       the rest you may carry away, 
while a telephone number tells you all the particles 
 
Sasha’s letter is brief 
He tells me he is happier in the water than 
any other place and hopes to live there forever 
 
A couple crashes over the dam a splinter away 
 
          
7
We are dwelling on the surface of 
something explosive, though not unlikely 
subdued 
as the cracks are blocked up with tissue 
Light or fire. It’s all the same to me 
 
Where were they going from the post office 
when she asked, are you driving back? 
 
From Atlantic City where the music is live 
and we turn on the radio      trying to capture 
those lost waves 
 
A naked girl is swimming in her view 
I’ve come here year after year 
The family hurts me as I try to swim, 
abandoning these walls of pine and 
what they represent in terms of ‘destructibility’ 
 
All my friends are entering the lake for the last time 
as the energy leaves my birthplace and returns 
to the city in September 
We study leaves, the life-span of termites 
 
A great blast splinters the shelf that 
holds the radio           when the voice 
reaches me a second away and embraces 
the girl fishing from the rowboat 
 
The sun is setting across the shore 
This is about the family who lived there 
 
I write to Jonathan and Sasha about the fireworks, 
as the last song is rationed into the night 
 
          
8
The dials are lots and are as inanimate 
as the ground we walk on 
That is to say, not without life or 
waverings in the soil 
 
He was as young as the girls who surrounded 
him and they used to watch him mounting the 
attic steps, going,      as he said,      to pray 
 
Outside, a calm across the lake 
A peace after the accident 
A break in the day where ‘demolition’ 
ruled their lives, 
gradually governed their words      their sleep 
as she worried about the effect 
this might have on all of them 
 
She would never let the others touch him 
or played the radio when he came 
He told her she had cut herself up in little pieces 
equally rationed among them and might easily 
go away and never return, 
only referring to the songs to counter 
the energy of the other girl’s swimming or 
recall the light seeping through the cracks 
 
He said ‘I am thirteen years old’ 
That was eight years ago, when the dials 
spilled all over the page 
 
          
9
You are allotted a childhood as wood 
splinters right under your thumbs 
 
It’s as quickly as that, seeing the 
children put on their clothes again 
asking you not to turn away, but 
to look back upon the waves again, 
to even touch their burning limbs 
 
Letters will record this season even 
if the radio doesn’t 
 
And the wood eats the dials right 
out of the pine 
 
I mean the stamina with which this 
whole life-span is devoured 
 
The family forgets 
The girl rises from the water and 
comes towards us on the shore 
 
I am picking up the pieces to send to you, 
measuring the lots, the dreams by. 
 
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